What does a real day as a freelance sports videographer actually look like?

In this video, I take you behind the scenes of a full game-day assignment. From pre-production and arriving at the arena, to filming the game, capturing the crowd, covering post-game press conferences, and finally editing and delivering a game recap.

I’ll show you the reality of working as a freelance sports videographer, including the long hours, tight deadlines, and challenges that come with the job… but also why I absolutely love it.

If you're thinking about starting a career in sports videography, this is what you can really expect.

In this video, I break down the biggest misconceptions about LUTs and explain everything beginners need to know about using them properly.

We'll look at the difference between conversion LUTs and creative LUTs, how to use LUTs with LOG footage, why LUTs can't fix bad footage, how to choose the right LUT, why you shouldn't always use them at 100%, and how to properly import and apply them in your editing software.

I'll also explain why not all LUTs are created equal and how to get the best results from them.

Perfect for filmmakers, videographers, sports videographers, and anyone who wants to get better results from LUT-based color grading.

Can the iPhone 17 Pro Max actually be a serious camera for filming soccer? In this video, I take the iPhone 17 Pro Max onto the soccer field to see how well it handles one of the toughest types of sports videography: a fast-paced game played across a huge outdoor field.

I need to let you know what’s been going on in my life recently.

Is a full-frame camera really better than APS-C for sports videography? In this video, I compare the Sony FX3 and Sony FX30 to show the real-world differences in field of view, low-light performance, and depth of field.

Prime Day 2026 is here, and I’ve rounded up some of the best deals sports videographers should be looking at.

The FIFA World Cup isn't just the biggest stage for players, it's a masterclass in sports videography. In this video, I break down the filming techniques, camera movements, and storytelling strategies used by World Cup crews that sports videographers at any level can steal and apply to their own work.

If you're serious about sports videography, a V-mount battery might be the most important upgrade you can make to your camera rig.

In this video, I explain why I use a V-mount battery for every game I film, how it allows me to power my entire setup for hours, and I take a closer look at the new SmallRig X99 V-mount battery and its unique features.

In this video, I take my new setup (including the Sony FX3 and Sony 28-135mm cinema lens) to a high-pressure PWHL playoff shoot to find out if this lens is actually a good for sports… or an expensive mistake.

If you’re a sports videographer who wants to create next-level edits with insane motion graphics, player cutouts, dynamic text, visual effects, and cinematic animations, this video is for you.

Today I’m introducing CM de la Vega’s brand new After Effects Masterclass for Sports Videographers. A complete training program designed specifically to help you master After Effects for sports content creation.

Whether you create hype reels, highlight videos, recruiting edits, or social media content, this training will help you take your sports videos to a whole new level.

After years of working as a sports videographer, I finally decided to try sports photography for the very first time. In this video, I take you behind the scenes at a basketball game as I test my skills, break down my biggest mistakes, talk about composition and timing, and show you my current photo editing workflow. I also share what I learned from this first experience and why I think photography might completely change the way I approach sports content moving forward.

Confused about dual native ISO and how it actually works? In this video, I break down the biggest misconceptions, show you how to find your camera’s true native ISO, and explain how to get cleaner, better-looking footage. Especially in low light.

Want to give your videos a cinematic look in seconds? In this tutorial, I’ll show you exactly how to import and use LUTs in CapCut to instantly upgrade your sports footage.

Want your sports footage to look sharper, smoother, and more cinematic? In this step-by-step Sony camera setup, I’ll show you the exact settings I use to get professional sports video results every time. From frame rate and shutter speed to picture profiles, autofocus, and stabilization, this is everything you need to dial in your camera for game day.

After years of focusing on sports videography, I made a decision that completely changed how I see the game… and my career. In this video, I open up about why I’m stepping into sports photography after picking up the Sony A7V, what I’ve learned so far, and how this shift will impact the future of this channel.

Make the most of all sports videography spring sales while you still can.

If you want your sports videos to look more professional without complicated edits, this is for you. In this video, I’m breaking down my 3 favorite CapCut effects that are super easy to use but make a huge difference in your final edit. These are the exact techniques I use to turn simple clips into cinematic sports highlights.

If your sports videos don’t look as good as you want, it’s probably not your camera, it’s this one simple mistake. In this video, I break down the easiest fix to instantly make your sports footage look more cinematic and professional.

Sony claims the A7V might be their best hybrid camera yet but does that actually matter for sports creators? After testing it in real sports environments, I’m sharing what works, what doesn’t, and whether this is finally the one camera that can truly do it all.

If you’ve been filming sports on your phone and starting to feel limited, this video is for you. Phones today are incredibly powerful but there comes a point when “good enough” just isn’t good enough anymore. In this video, I’m breaking down 3 clear signs it might be time to upgrade to a mirrorless camera.